For her second solo album, Charlotte Hug concentrates on solo viola without any electronics in a series of pieces inspired by a then-recent visit to London, showing her strong musical personality and original extended techniques in a solo recital unlike any other.

Using extended techniques on viola and piano, Charlotte Hug and Frederic Blondy draw the listener into unusual and encompassing sound worlds that feel electronic, yet are created through acoustic improvisation.

An intensely personal journey, Charlotte Hug uses extended vocal techniques and an unusual language on the viola, creating an exceptional and unique improvisatory sound world.

Violist and vocalist Charlotte Hug met Fred Lonberg-Holm in Zurich, 2009 to make these concert recordings, a duo taking stringed instruments into unique and irrepressible territory.